Live Productions

With the supreme clarity and output of a 32-driver articulated line array, the L1 Pro32 with Sub1 Powered Bass Module offers 180-degree horizontal coverage and the most focused vertical coverage pattern and highest SPL over distance in an L1 ever — providing intricate sonic detail, clarity, and consistency, even off to the extreme sides in larger venues.For DJs, singer-songwriters, bands — and your audience — the L1 Pro32 offers a truly superior experience. It gives you the power to sound your best and simply perform.

Sub1 Powered Bass Module

Slim size. Big bass.

The L1 Pro32 combined with the Bose Sub1 subwoofer, features a 7" × 13" high-excursion RaceTrack driver. Sub1 is a more compact, portable option. With this unique RaceTrack driver design, the Sub1 offers bold bass, has an optimized center of gravity, and saves a lot of space. The slim design means you get the full impact of a conventional subwoofer without the cumbersome size. Plus, proprietary SubMatch connectivity means you can connect the Sub1 to the L1 Pro32 with a single cable that delivers both power and audio.

 

Built-in mixer

Mixer onboard and on your phone

Each L1 Pro system features a built-in mixer, so you can connect various instruments, microphones, and other sources easily. You get two combo XLR-1/4" phantom-powered inputs, 1/4" and 1/8" (3.5 mm) aux inputs, plus Bluetooth streaming capability. Illuminated rotary encoders give you instant access to volume, tone, and reverb settings per channel. Select between optimized system EQ presets for live music, recorded music, and more. And add in even more instruments and other audio sources via a dedicated ToneMatch port — one cable provides both power and digital audio between the system and a Bose T4S or T8S mixer (optional).

 

And with the intuitive Bose Music app, you get complete wireless mixer control from your smartphone or tablet too.

 

Additional Information:

• Item Code: 82367823t4
• Production Capacity: Immediate
• Delivery Time: Immediate
• Packaging Details: Power Stand: Polypropylene cover with cast aluminum legs and steel chassis base Cylindrical Radiator: Aluminum enclosuure with ABS baffle

Auditoriums are constructed to house large numbers of people, so proper acoustics are critical to their function. Regardless of where a person is seated, they expect to clearly hear the performance or speaker. However, poorly designed or acoustically untreated spaces result in unpleasantly long reverb or echoes that interfere with speech intelligibility and musical clarity.

Before the advent of amplified equipment, auditorium design was based on the concept of pushing sound from the stage out into the audience. Walls and other reflective surfaces were strategically placed to allow sound to be heard clearly, even in the most distant seat from the stage or stage balconies.

Some modern auditoriums incorporate loudspeakers throughout the facility. Movie theaters are the best example as they can use dozens of loudspeakers embedded in the walls and ceiling. Most auxiliary speakers are used for sound effects and “surround sound” while stage-mounted speakers are used primarily for dialog and music. This presents different acoustical challenges compared to an older auditorium.

 

Reverberation and Echo in Auditoriums

In any enclosed space including auditoriums, there are at least six hard, reflective surfaces. The floor is generally left untreated, as carpet, seats, and people absorb a tremendous amount of sound energy. However, walls and the ceiling are often flat, reflective drywall surfaces. When these surfaces are parallel to each other, they can, if you’ll pardon the expression, “amplify” sound problems in the space.

Sound striking hard surfaces simply rebounds into the auditorium, causing longer reverberation times and flutter echo. This is distracting to both the listener and performer/presenter. Improving speech intelligibility and musical clarity is therefore imperative because without acoustical treatment, audiences will have a poor listening experience.

Speech intelligibility is a necessary part of a functional auditorium. To hear properly, the reverberation time (RT60) should be approximately 1.0 to 1.5 seconds. The goal for ideal acoustics in an auditorium is to have the reverberation time equal throughout the venue./p>

Because a large open space is often far too reverberant, in most cases incorporating acoustical concepts and treatment into auditorium design is a must. Acoustically treating an auditorium after it has been constructed can be a tricky thing to do, so the earlier that treatment is considered, the better.

 

Achieving Great Acoustics in Auditoriums

Achieving great auditorium acoustics is difficult because — in layman’s terms — it requires a happy medium between the room sounding “alive” and sounding “dead.” Fortunately, at Acoustical Solutions, we are experts at perfecting auditorium acoustics.

We understand that with live performances (bands, orchestras, plays, speeches, etc.), words and notes need to ring clearly throughout the space. This increases sound quality and allows for the entire audience to better enjoy the performance. The problem is that there is a fine line between a pleasant ring and an echoic mess. If sound rings too much it quickly — and quite dramatically — reduces sound quality and the audience’s ability to hear clearly. Some frequencies may be effectively amplified by an untreated room!

The converse is true as well — too much absorption can result in an unnaturally anechoic, or “dead” room. While an RT60 time of less than one second may be desirable for critical listening environments like mixing or mastering studios, it is far too short for an auditorium.

 

 

Additional Information:

• Item Code: Audi09777
• Production Capacity: Immediate
• Delivery Time: Based on Project
• Packaging Details: Achieving Great Acoustics in Auditoriums Achieving great auditorium acoustics is difficult because — in layman’s terms — it requires a happy medium between the room sounding “alive” and sounding “dead.” Fortunately, at Acoustical Solutions, we are experts at perfecting auditorium acoustics. We understand that with live performances (bands, orchestras, plays, speeches, etc.), words and notes need to ring clearly throughout the space. This increases sound quality and allows for the entire audience to better enjoy the performance. The problem is that there is a fine line between a pleasant ring and an echoic mess. If sound rings too much it quickly — and quite dramatically — reduces sound quality and the audience’s ability to hear clearly. Some frequencies may be effectively amplified by an untreated room! The converse is true as well — too much absorption can result in an unnaturally anechoic, or “dead” room. While an RT60 time of less than one second may be desirable for critical listening environments like mixing or mastering studios, it is far too short for an auditorium. Reverberation and Echo in Auditoriums In any enclosed space including auditoriums, there are at least six hard, reflective surfaces. The floor is generally left untreated, as carpet, seats, and people absorb a tremendous amount of sound energy. However, walls and the ceiling are often flat, reflective drywall surfaces. When these surfaces are parallel to each other, they can, if you’ll pardon the expression, “amplify” sound problems in the space. Sound striking hard surfaces simply rebounds into the auditorium, causing longer reverberation times and flutter echo. This is distracting to both the listener and performer/presenter. Improving speech intelligibility and musical clarity is therefore imperative because without acoustical treatment, audiences will have a poor listening experience. Speech intelligibility is a necessary part of a functional auditorium. To hear properly, the reverbera

The audio and visuals play a key role to engage the audience while delivering an immersive experience.

When it comes to an auditorium the audience has certain expectations in terms of the ambiance, light, sound, and seating. Each audience member can be engaged using a variety of sensory touchpoints; right from – touch, smell, vision, auditory plus taste.

From the conventional sight and sound, as a company you have multiple permutations and combinations of sensory receptors that can be controlled, triggered with just a touch of a button or by setting up gesture based automations.

High-definition flat-screen displays, projectors, combined with high definition digital audio, and lighting automation allow for a one-of-a-kind experience that can be custom developed just for you.

Live events are often stressful and difficult to manage. Event managers or teams struggle to control the systems or coordinate in such a high-pressure environment. Live streaming capabilities across multiple social and digital channels are also a must in today’s fast-moving world.

Additional Information:

• Item Code: AuditoriumAudioAcoustics77
• Production Capacity: Immediate
• Delivery Time: Based on Project
• Packaging Details: Immediate

Powered by Allen & Heath’s revolutionary XCVI 96kHz FPGA engine, SQ-7 is built for professionals in demanding live sound, recording and streaming applications. Delivering class-leading high-resolution audio with an ultra-low <0.7ms latency, the SQ-7 gives you unrivalled power and audio fidelity.

• 96kHz FPGA Processing
• 48 Input Channels
• 32 Onboard Preamps
• DEEP Processing Ready
• 12 Stereo Mixes + LR
• 3 Stereo Matrix
• 8 Stereo FX Engines + Dedicated Returns
• 64ch I/O Port for Audio Networking
• 32×32 USB Audio Interface
• Range of Remote Expanders
• Suitable for:
  • Live
  • Studio
  • Streaming
  • A/V Install
  • Corporate Audio
  • Houses of Worship

Additional Information:

• Item Code: oiq4r09rubf
• Production Capacity: immediate
• Delivery Time: immediate
• Packaging Details: Company Box Packing

High performance and flexibility

Powerful, standalone sound that flexes to meet your coverage needs—the Bose F1 Model 812 is a 1000-watt, full-range loudspeaker featuring Bose Flexible Array technology. At the heart of the F1 is a 30-cm woofer nested behind an array of 8 high-output drivers. These 9 speakers are supported by a lower crossover point than conventional loudspeakers to give full voice to your sound and deliver clearer, more natural vocals and midrange clarity, even at high volumes. And you control the vertical coverage pattern. So, wherever you’re playing, you can adapt the PA to match the room. With the Bose F1 Model 812, your sound stands alone. 

Quality performance

Engineered with a flexible array of eight high-output mid/high drivers, a high-powered 30.48 cm woofer, a lower crossover point and 1,000-watt amplifier, the loudspeaker delivers high SPL performance while maintaining vocal and midrange clarity that’s dramatically better than conventional loudspeakers.

How it works

The eight drivers on the F1 Model 812 Flexible Array loudspeaker are mounted on a specially designed flexible baffle. Simply push or pull the array into position to create four vertical coverage patterns: “Straight,” ”J,” “Reverse J” or “C.” Once set, the system automatically changes the EQ to maintain optimum tonal balance for each unique coverage pattern.

Quality performance

Engineered with a flexible array of eight high-output mid/high drivers, a high-powered 30.48 cm woofer, a lower crossover point and 1,000-watt amplifier, the loudspeaker delivers high SPL performance while maintaining vocal and midrange clarity that’s dramatically better than conventional loudspeakers.

How it works

The eight drivers on the F1 Model 812 Flexible Array loudspeaker are mounted on a specially designed flexible baffle. Simply push or pull the array into position to create four vertical coverage patterns: “Straight,” ”J,” “Reverse J” or “C.” Once set, the system automatically changes the EQ to maintain optimum tonal balance for each unique coverage pattern.

• Powerful full-range loudspeaker with 132 dB max SPL and low-frequency performance down to 43 Hz (-10 dB)
• Portable, standalone design with built-in 1000-watt amplifier and 9 transducers: 8 high-output drivers and a 30-cm high-power woofer
• Lower crossover point than conventional loudspeakers for clear and natural vocals even at high volumes
• Flexible Array technology: easily adjust coverage pattern—Straight, C, J or Reverse J—to optimise sound for different spaces: floor level, on stage, for raked seating or stands, and more
• Automatic EQ adjusts to maintain optimum tonal balance for each coverage pattern
• Built-in handles for easy transport and compatible with standard 35-mm speaker stands (sold separately)
• Optional Bose F1 Subwoofer (sold separately) for even more low-frequency response with integrated speaker stand for F1 Model 812, built-in 1000-watt amplifier, hidden cable channels for clean appearance and built-in handles for easy transport

Additional Information:

• Item Code: BoseF1Model812
• Production Capacity: Immediate
• Delivery Time: Immediate
• Packaging Details: Company Box Packing

It's said that good sound can make a performance and bad sound can break it. Often, this comes down to the work of a live sound mix engineer: one of the primary professionals involved in controlling a band or performer's live sound.

Live sound mix engineers meet with the band before the show to perform sound check, where they coordinate with the band about sound-oriented goals and concerns and make initial adjustments to volume, balance, and EQ. In the midst of the performance, live sound mix engineers continue to make adjustments on the fly, using their phenomenal ears, knowledge of mixing consoles, and quick thinking to ensure that both performers and audience members hear what they need to.

Additional Information:

• Item Code: 20184u2348bhgfog8777
• Production Capacity: Immediate
• Delivery Time: Immediate
• Packaging Details: Custom Made